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Possessed: The Rise and Fall of Prince, by Alex Hahn
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Possessed: The Rise and Fall of Prince is the definitive biography of one of the most talented and enigmatic musicians of our time, a figure who has seized international attention for decades and will continue to do so, both for his artistic talent and his bizarre behavior. While a handful of quasi-biographical efforts have been undertaken on Prince, Possessed is the first full-length, full-scale biographical treatment. Drawing on sources unavailable to other authors, it is the first book to fully analyze the creative legacy and unveil the psychology of this tortured, messianic artist whose ceaseless reinventions have at times rendered him a profoundly original artist and at other threatened to make a mockery of himself and his music. Blending biographical storytelling, pop cultural history, and music scholarship, the book will appeal to a broad general audience as well as to music fans.
Author Alex Hahn, a journalist who has written for The Boston Globe and The San Francisco Chronicle, taps key sources - such as friends, employees, and industry insiders - to place readers at the scene of some of the artist's most important recording and song writing sessions; relate how his compulsive sexual behavior led to revolving-door romances with Kim Basinger, Carmen Elektra, Vanity, and others; reveal that Prince on many occasions plagiarized band members' musical ideas; and explain why he has become such a paranoid, vindictive, and isolated figure. The book also draws upon the hundreds of interviews given by Prince over his career.
The book contain 30 high-quality photographs of Prince and his associates from all points of his career.
Possessed also contains the most detailed appendix of song and recording session information ever assembled for a pop musician, including information about Prince's vast canon of unreleased music and the hundreds of songs he has written for other pop artis
- Sales Rank: #1573152 in Books
- Brand: Brand: Billboard Books
- Published on: 2004-04-01
- Released on: 2004-04-01
- Original language: English
- Number of items: 1
- Dimensions: .73" h x 6.06" w x 8.96" l,
- Binding: Paperback
- 288 pages
- Used Book in Good Condition
From Publishers Weekly
The alien androgyny, the spiritual eroticism, the royal conceit: the outsized persona of the artist currently known as Prince fascinates on numerous levels. In this detailed biography by journalist and attorney Hahn, anecdotes of a personal nature mix with close readings of Prince's musical output, producing few big secrets but plenty of insight. Prince's early days are recounted as a frenzy of musical education, with influences ranging from the funky dexterity of Sly Stone, to the tight perfectionism of James Brown, to the spiritual yearning of Stevie Wonder. (Hahn also names a less obvious influence in Joni Mitchell, whose lyrics Prince apparently purloined sometimes whole cloth.) The young Prince also absorbs the mechanics of the studio like a sponge. When the child prodigy meets with early success, signing to Warner Brothers at age 19, he blossoms into the personality of flamboyant and controlling self-absorption that fans have now watched mutate for over two decades. Constructed from interviews with producers, sound engineers, journalists and publicists, though not as frequently with Prince's inner circle, the book portrays Prince as a kind of outsider artist, eccentric and self-centered to the extreme, rarely leaving the enchanted, Minneapolis garden of his childhood, where he has managed to build himself into a living, protean god. This is a truly American story of cranky self-invention. B&w photos.
Copyright 2003 Reed Business Information, Inc.
From Booklist
In the late 1970s, Minnesotan Prince Rogers Nelson began releasing funk-fortified albums on which he was the only musician and singer. First as an underground phenomenon, then as a much-hyped purveyor of a new kind of excruciatingly danceable, sexy music, he became a pop phenomenon. He shed two-thirds of his name, formed a series of bands, made some movies, and eventually dropped his name entirely, preferring to identify himself with an unpronounceable symbol. Then he feuded with his record company, inaugurating a series of negative career moves that rivaled Mike Tyson's in self-destructiveness and rendered him little more than fodder for late-night TV wisecracks. Hahn covers this ascent and descent in gritty detail, thanks to sources that include many Prince collaborators, though not the incredibly funky Apollonia, Morris Day, or George Clinton (whose career Prince restarted in the 1990s). Considering the longevity of rock careers these days, Prince might rebound yet. Still, he has left his mark on rock style as well as music, and Hahn has given us the arc of that mark. Mike Tribby
Copyright � American Library Association. All rights reserved
About the Author
Alex Hahn, a resident of Boston, has written for the Boston Globe and the San Francisco Chronicle. Also an attorney, Hahn defended Uptown, the leading Prince fanzine, in a suit brought by the artist himself.
Most helpful customer reviews
8 of 9 people found the following review helpful.
Leaves You Cold And Wanting More
By VW
A meticulously engaging biography of Prince, "Possessed" pulls the reader in and won't let go. This is the portrait of a genius who, through his own machinations, became something of a monster. The book tells the story of a Prince who is self-destructive, narcissistic, insecure and cloistered; a prodigy who changed music while managing to alienate virtually everyone in his life.
By 1982-83, Prince had forced the world to sit up and take notice. Having skillfully blended elements of numerous musical genres to create a uniquely eclectic signature, he was determined to avoid being pigeonholed by a limited artistic identity. This determination, combined with his rising popularity and enigmatic, iconoclastic image began to raze traditional barriers. All of this culminated in and peaked with "Purple Rain"- a body of work that enjoyed universal appeal and propelled him to the top of the pop/rock world. But, ironically, he rebelled (in a sense) against his own success, deciding to follow "Purple Rain"with "Around The World In A Day", a work designed to remind everyone that commercial success could and would be subordinate to the importance of innovative artistry. These reinventions continued, accompanied by critical praise and declining sales, and in the midst of a musical landscape that was ever-changing. In this sense, at least from a commercial perspective, Prince became the victim of a new music world he'd been instrumental in creating.
Published in 2003, this bio ends in 2002. The story of Prince between 1989 and that year is not a pretty one, giving chilling accounts of his treatment others, from subordinates and band members to the Warner Brothers executives who'd helped make him a star. One consistent and recurring theme is his inability to treat those around him with empathy- sometimes common courtesy. By the mid 90's, he'd alienated most everyone and, as he became ever more insular, his creativity suffered along with his image.
But it seems that none of this mattered much to Prince. From the beginning, it seems that total control was his ultimate aim and, in the end, that's exactly what he got. The genius and success of his first ten years as a recording artist provided a lifelong security blanket, one that apparently made him bulletproof regardless of his actions.
Though "Scathing" (as one critic described this book) "Possessed" is written with no obvious agenda. One would be a fool to call it complimentary to Prince on balance, but it does cover his charitable deeds and contributions, his struggles to open up, and flashes of a guy who could be nice. If you don't find Prince Rogers Nelson an interesting character, this biography is certain to change your mind. If you do, then this work should be on your must-read list, because you ain't seen nothing yet.
11 of 13 people found the following review helpful.
Rave Un2 the "Enigma" Fantastic...
By Thomas Moody
The epitomy of the classic "rock star", Prince has seemingly taken an inspired career and turned it into a sort of ironic mystery...author Alex Hahn presents this theory using an amazing access to personal subjects and un-released music to destroy the mystique and bring Prince into the general public's eye for all to scrutinize. What we find is a sort of mini-demagogue who remains brilliant musically, but suffers from many years of petulant behavior to systematically reduce his faithful following and, unfortunately, become nothing more than a cult figure.
Back in 1985, however, the thought of Prince being anything but a major musical influence and icon would be inconceivable...this was following the final push to superstardom that "Purple Rain", the record and movie, provided and the country/music industry was agog at what the next Prince project might be. Of course, the underwhelming and self-aggrandizing "Around the World in a Day" was the next release and this started the downward spiral that continues to this day. Author Hahn attempts to analyze this with "Possessed" and he brings it off with an amazing balance...remaining true to his literary responsibilites, he paints a realistic and forthcoming picture of the tortured musician. At once brilliant in the conceiving and performing of cutting edge music while at the same time displaying a curious bewilderment at the ever changing face of popular music, Prince remains the mystery that he so fervently relishes and in the process has virtually destroyed any fan base that could resurrect his career.
A stunningly comprehensive biography, Hahn shows the entire Prince career from his childhood up to and including the 2001 release of "The Rainbow Children". Riding the emotional and psychological roller-coaster that was Prince, we see the meteoric rise and subsequent demise of this influential artist and also the human waste he laid as a side product...his (Prince's) treatment of "friends and associates" is disturbing and speakes to (in my opinion) a lingering psychosis. Conversely, Hahn, again using amazing access to unreleased recorded material, shows Prince to be prolific and brilliant in his conception of and performance of many major turns in his musicianship. Indeed, the few unreleased tracks that I have personally heard would make for a great album and it's hard to conceive that this level of great music is still "in the vault".
Hahn covers all the important episodes in this star-crossed career...even sharing some new information that former "hard-core" fans never knew...the homosexual relationship of Wendy Melvoin and Lisa Coleman was new to me and I was a fan at the inception of the "Revolution"...the interaction of fellow musicians and subsequent denial of artistic credit (i.e. Rosie Gaines and Melvoin) is part of this afore mentioned disturbing psychotic behavior and was also a surprise to me. What astounded me the most, however, was the continued denial on the part of Prince towards the burgeoning rate of change in the popular music world and his denail of this fact. He continued to think that he was one record away from the "Purple Rain" type of mega-stardom and Hahn presents this part of the story in sober terms...I certainly felt the frustration that most fans assuredly went through and this feeling is the most prevelant throughout this work. Time and again, a new idea or initiative was started by Prince, only to be reduced or disintegrated by the ever-present "haughtiness" that only served to limit his career growth and is something that he continues to pay for in his musical standing today.
Hahn does serve the music fan well, however, with his many reviews of some of Prince's classic music...he raves about "Controversy", "1999", "Sign O the Times" and, of course "Purple Rain". Some of the later works ("Graffiti Bridge", "Lovesexy" and "Emancipation") that I thought were pure genius were sort of described as episodic and partly rationalized into the spiraling downward turn in Prince's career and music...unfairly, I felt, but an opinion that I respected given the depth of Hahn's research. Closing out the book is an impressive discography of all Prince's works and his part assisitance in others (Bangles, Stevie Nicks, Sheena Easton...etc).
Whether you love him or hate him...or even if you're just a popular music fan in general, you'd do well to read about the rise and fall of Prince in this book. A more interesting story you won't find (yes even given the latest Michael Jackson fiascos) and a story that has you at once criticising and conversely hoping for a more fortunate outcome, Alex Hahn is to be commended for a comprehensive, scholarly and entertaining look at one of Rock's remianing mysteries. I recommend this book very highly.
2 of 2 people found the following review helpful.
Whoa!
By evie
Insighful with too much TMI. wish I did not know what I now think I know. It takes away the mystery of the man...the music...the sound. But I added to my collection...easy read
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