Rabu, 29 Agustus 2012

[H321.Ebook] Fee Download You Will Remember Me, by François Archambault

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You Will Remember Me, by François Archambault

You Will Remember Me, by François Archambault



You Will Remember Me, by François Archambault

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You Will Remember Me, by François Archambault

Memory – personal, familial, and societal – is the central theme of this new play by Governor General’s Award-winning playwright Fran�ois Archambault. Translated by Bobby Theodore, this work follows a family’s struggle with dementia. Edouard is a university professor and historian, a figure prominent in the public eye, and a long-time sovereignist. He has been proud throughout his life of his prodigious memory. As memory fails, Edouard tests the ability of family members to care for him.

The play also examines collective memory and the current state of affairs in Quebec. Edouard has been appearing on talk shows since his retirement, railing against the dumbing down of society and the adverse effects of technology. Archambault uses personal memory as a foil and metaphor to explore social memory, particularly re-examining moments from the history of the Parti Qu�b�cois.

Subtle, moving, and funny, You Will Remember Me shows that living completely in the present moment is a nightmare. Hearkening to the past, and memory, are essential for the human condition.

You will Remember Me opened in French in 2014 and was produced in English in 2015 at the Tarragon Theatre in Toronto.

Cast of 2 men and 3 women.

  • Sales Rank: #7602907 in Books
  • Published on: 2016-12-13
  • Original language: English
  • Dimensions: 8.50" h x .32" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 112 pages

About the Author
Francois Archambault: Francois Archambault graduated from the playwriting program at the National Theatre School of Canada in 1993 and has also completed a major in French Studies at the Universite de Montreal. Between 1989 and 1998, he wrote 12 plays and his work appeared in seven anthologies. His 1992 play "Le jour de la fete de Martin" was among the 13 finalists selected in the Concours Val en Scene in Valenciennes, France, and received a special mention from the jury. In October 1995, Archambault completed within three weeks "Si la tendance se maintient," a play about the referendum on Quebec sovereignty. It ran during the referendum campaign and was enthusiastically received by critics. Archambault secured his reputation as a sharp social satirist with his earlier plays "Cul sec" (Fast Lane) and "Les gagnants" (The Winners) and further established his importance on the Quebec theatre scene with the award-winning "15 Seconds," a darkly humorous play about social alienation arising from superficial relationships. "15 Seconds" has had staged readings and productions in English translation across Canada and the U.K. "The Leisure Society," one of Archambault s most recent plays, was performed in Calgary, Toronto, and Vancouver in the 2005-06 season.
Bobby Theodore: Bobby Theodore lives in Montreal and is a graduate of the National Theatre School of Canada s playwriting program. His first translation, Francois Archambault s "15 Seconds," was produced across Canada and earned him a nomination for the Governor General s Award for Literary Translation in 2000. Since then, he has gone on to translate more than 12 plays, including the works of some of Quebec s most talented playwrights, such as Genevieve Billette and Nathalie Boisvert."

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Selasa, 28 Agustus 2012

[U384.Ebook] PDF Download Pediatric & Neonatal Dosage Handbook (Pediatric Dosage Handbook), by Carol K. Taketomo

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Pediatric & Neonatal Dosage Handbook (Pediatric Dosage Handbook), by Carol K. Taketomo

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Pediatric & Neonatal Dosage Handbook (Pediatric Dosage Handbook), by Carol K. Taketomo

Overview: The pediatric population is a dynamic group, with major changes in pharmacokinetics and pharmacodynamics taking place throughout infancy and childhood. Because of these changes, the need for the evaluation and establishment of medication dosing regimens in children of different ages is great. The "Pediatric & Neonatal Dosage Handbook" continues to be the trusted resource for all medical professionals managing pediatric patients. Benefits: 944 Drug Monographs; Up to 40 fields of information per monograph; more than 100 extemporaneous preparation recipes; and, more than 290 pages of appendix information.

  • Sales Rank: #808887 in Books
  • Published on: 2012-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 2.10" h x 6.00" w x 9.00" l, 3.60 pounds
  • Binding: Paperback
  • 2059 pages

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6 of 6 people found the following review helpful.
Excellent reference book
By Bobby M
As a pharmacist, this is a great go-to-book to reference whenever I need an immediate answer on dosing for an infant/child/adolescent. Especially in babies where the information is not always the easiest to locate as a pharmacist, this book has cleared up some important questions and problems that I have encountered in the past.

2 of 2 people found the following review helpful.
Excellent reference
By millerjcmk
The reference is very complete and appropriate for professions in our very busy, surgical NICU including all the multidisciplines. Some of the patients stay for an extended period of time qualifying them for dosing beyond the Newborn period. This reference is great in that it includes both specialties. It is a very complete book that we often are able to use as a single reference, if desired, and information very often confirmed by our own knowledgable Pharmacy staff.

0 of 0 people found the following review helpful.
Useful when I worked as an intern pharmacist and still ...
By J.B.J.K.P.
This was greatly useful to me when I worked as an intern pharmacist and it is still useful to me working now as a Pharmacist! These clinical pharmacists and other authors created a wonderful medication reference. This handbook came in handy even in the outpatient and independent pharmacy settings when I filled prescriptions for children.

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Sabtu, 25 Agustus 2012

[X789.Ebook] PDF Download Traitor (Star Wars: The New Jedi Order, Book 13), by Matthew Stover

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Traitor (Star Wars: The New Jedi Order, Book 13), by Matthew Stover

From the depths of catastrophe, a glimmer of hope

After the capture of Coruscant, the mighty heart of the New Republic, a stunned galaxy fears that nothing can stop the Yuuzhan Vong. Still, that crushing defeat produces one small miracle: Jacen Solo is alive. Yet he can scarcely imagine himself in stranger circumstances.

The young Jedi Knight is in the care of Vergere, a fascinating creature of mystery and power, her intentions hard to fathom, her cruelties rarely concealed. But this master of inscrutable arts has much to teach the young Jedi . . . for she holds the key to a new way to experience the Force, to take it to another level—dangerous, dazzling, perhaps deadly.

In the wrong hands, the tremendous energies of the Force can be devastating. And there are others watching Jacen’s process closely, waiting patiently for the moment when he will be ready for their own dire purposes. Now, all is in shadows. Yet whatever happens, whether Jacen’s newfound mastery unleashes light or darkness, he will never be the same Jedi again. . . .

  • Sales Rank: #428453 in Books
  • Brand: Star Wars Novels - New Jedi Order
  • Published on: 2002-07
  • Released on: 2002-07-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.87" h x .78" w x 4.18" l, .35 pounds
  • Binding: Mass Market Paperback
  • 292 pages

From the Inside Flap
"From the depths of catastrophe, a glimmer of hope
After the capture of Coruscant, the mighty heart of the New Republic, a stunned galaxy fears that nothing can stop the Yuuzhan Vong. Still, that crushing defeat produces one small miracle: Jacen Solo is alive. Yet he can scarcely imagine himself in stranger circumstances.
The young Jedi Knight is in the care of Vergere, a fascinating creature of mystery and power, her intentions hard to fathom, her cruelties rarely concealed. But this master of inscrutable arts has much to teach the young Jedi . . . for she holds the key to a new way to experience the Force, to take it to another level--dangerous, dazzling, perhaps deadly.
In the wrong hands, the tremendous energies of the Force can be devastating. And there are others watching Jacen's process closely, waiting patiently for the moment when he will be ready for their own dire purposes. Now, all is in shadows. Yet whatever happens, whether Jacen's newfound mastery unleashes light or darkness, he will never be the same Jedi again. . . .

About the Author
Matthew Woodring Stover is the acclaimed author of "Heroes Die," "Iron Dawn," and "Jericho Moon," He is a student of the Degerberg Blend. This jeet kune do concept is a mixture of approximately twenty-five different fighting arts from around the world and forms the basis for Caine's combat style in the novels. He lives in Chicago, Illinois, with artist and writer Robyn Fielder.

"From the Paperback edition."

Excerpt. � Reprinted by permission. All rights reserved.
ONE COCOON

In the dust-swept reaches of interstellar space, where the density of matter is measured in atoms per cubic meter, a small vessel of yorik coral blinked into existence, slewed through a radical curve that altered both its vector and its velocity, then streaked away, trailing a laser-straight line of ionizing radiation, to vanish again in the gamma burst of hyperjump.

Some unknown time later, an unguessable distance away, in a region indistinguishable from the first save by the altered parallax of certain stellar groups, the same vessel performed a similar manuver.

On its long journey, the vessel might fall into the galaxy any number of times, and each time be swallowed once more by the nothing beyond.

Jacen Solo hangs in the white, thinking.

He has begun to riddle out the lesson of pain.

The white drops him once in a while, as though the Embrace of Pain understands him somehow: as though it can read the limit of his strength. When another minute in the white might kill him, the Embrace of Pain eases enough to slide him back into the reality of the room, of the ship; when the pain has crackled so hot for so long that his overloaded nerves and brain have been scorched too numb to feel it, the Embrace of Pain lowers him entirely to the floor, where he can even sleep for a time, while other devices—or creatures, since he cannot tell the difference anymore, since he is no longer sure that there is any difference—bathe him and tend wounds scraped or torn or slashed into his flesh by the Embrace’s grip, and still more creature-devices crawl over him like spider-roaches, injecting him with nutrients and enough water to maintain his life.

Even without the Force, his Jedi training gives him ways to survive the pain; he can drive his mind through a meditative cycle that builds a wall of discipline between his consciousness and the white. Though his body still suffers, he can hold his mind outside the pain. But this wall of discipline doesn’t last forever, and the Embrace of Pain is patient.

It erodes his mental walls with the inanimate persistence of waves against a cliff; the Embrace’s arcane perception somehow lets it know that he has defended himself, and its efforts slowly gather like a storm spinning up into a hurricane until it batters down his walls and slashes once more into everything Jacen is. Only then, only after it has pushed him to the uttermost limit of his tolerance then blasted him beyond that limit into whole new galaxies of pain, will the Embrace slowly relent.

He feels as if the white is eating him—as if the Embrace eats his pain, but never so much that he can’t recover to feed it again. He is being managed, tended like wander-kelp on a Chadian deepwater ranch. His existence has become a tidal rhythm of agony that sweeps in, reaches an infinite crest, then rolls out again just far enough that he might catch his breath; the Embrace is careful not to let him drown.

Sometimes, when he slips down from the white, Vergere is there. Sometimes she crouches at his side with the unblinking predatory patience of a hawk-bat; sometimes she stalks around the chamber on her back-bent legs like a dactyl stork wading through a swamp. Often, she is incongruously kind to him, tending his raw flesh herself with oddly comforting efficiency; he sometimes wonders if she would do more, would say more, if not for the constant monitoring stares of the eyestalks that dangle from the ceiling.

But mostly he sits, or lies, waiting. Naked, blood seeping from his wrists and ankles. More than naked: utterly hairless. The living machines that tend to his body also pluck out his hairs. All of them: head, arms, legs, pubis, armpits. Eyebrows. Eyelashes.

Once he asked, in his thin, weakly croaking voice, “How long?”

Her response was a blank stare. He tried again. “How long . . . have I been here?”

She made the liquid ripple of her flexible arms that he usually took for a shrug. “How long you have been here is as irrelevant as where you are. Time and place belong to the living, little Solo. They have nothing to do with you, nor you with them.”

His questions always meet with answers like this one; eventually he stops asking. Questions require strength, and he has none to spare.

“Our masters serve stern gods,” she said, the second or fifth or tenth time he awoke to find her at his side. “The True Gods decree that life is suffering, and give us pain to demonstrate their truth. Some among our masters seek favor with the True Gods by seeking pain; Domain Shai was legendary for this. They used the Embrace of Pain the way you or I might take a bath. Perhaps they hoped that by punishing themselves, they might avert the punishments of the True Gods. In this, one must suppose they were . . . ah, disappointed. Or perhaps—as Domain Shai’s detractors like to whisper—they grew to enjoy the pain. Pain can be a drug, Jacen Solo. Do you understand this yet?”

Vergere seemed never to care if he didn’t answer; she seemed perfectly content to prattle away endlessly on any random subject, as though interested in nothing beyond the sound of her own voice—but if he so much as lifted his head, as soon as he croaked an answer or murmured a question, the subject somehow turned to pain.

They had plenty to talk about; Jacen had learned a great deal about pain.

His first actual clue to the lesson of pain came once when he lay upon the corded floor, trembling with exhaustion. The branchlike grips of the Embrace of Pain still held him, but loosely, maintaining contact, no more. They hung in slack spirals overhead, dangling from bunched, knotted bundles of vegetative muscle that shifted and squirmed above the leather-barked ceiling of the chamber.

These periods of rest hurt Jacen almost as much as the Embrace’s torment: his body slowly but inexorably dragged itself back into shape, resocketing his joints and achingly releasing the overstretched tension of his muscles. And without the constant agony of the Embrace of Pain, he could think of nothing but Anakin, of the gaping wound that Anakin’s death had opened in his life—and of what Anakin’s death had begun to do to Jaina, driving her toward the dark—and of how his parents must be suffering, having lost both their sons—

More to distract himself than out of any desire for conversation, he had rolled over to face Vergere and asked, “Why are you doing this to me?”

“This?” Vergere gazed at him steadily. “What am I doing?”

“No—” He closed his eyes, organizing pain-scattered thoughts, then opened them again. “No, I mean the Yuuzhan Vong. The Embrace of Pain. I’ve been through a breaking,” he said. “The breaking makes a kind of sense, I guess. But this . . .”

His voice broke despairingly, but he caught himself, and held his tongue until he could control it. Despair is of the dark side. “Why are they torturing me?” he asked, clearly and simply. “No one even asks me anything . . .”

“Why is a question that is always deeper than its answer,” Vergere said. “Perhaps you should ask instead: what? You say torture, you say breaking. To you, yes. To our masters?” She canted her head, and her crest splayed orange. “Who knows?”

“This isn’t torture? You should try it from my side,” Jacen said with a feeble smile. “In fact, I really wish you would.”

Her chuckle chimed like a handful of glass bells. “Do you think I haven’t?”

Jacen stared, uncomprehending.

“Perhaps you are not being tortured,” she said cheerily. “Perhaps you are being taught.”

Jacen made a rusty hacking sound, halfway between a cough and a bitter laugh. “In the New Republic,” he said, “education doesn’t hurt this much.”

“No?” She canted her head to the opposite angle, and her crest shimmered to green. “That may be why your people are losing this war. The Yuuzhan Vong understand that no lesson is truly learned until it has been purchased with pain.”

“Oh, sure. What’s this supposed to teach me?”

“Is it what the teacher teaches?” Vergere countered. “Or what the student learns?”

“What’s the difference?”

The arc of her lips and the angle of her head might have added up to a smile. “That is, itself, a question worth considering, yes?”

There was another time—before, after, he could never be sure. He had found himself huddled against the leathery curve of the chamber’s wall, the Embrace’s grips trailing upward like slack feeder vines. Vergere crouched at his side, and as consciousness trickled through him he seemed to recall that she had been coaxing him to take a sip from the stem of an elongated, gourdlike drink bulb. Too exhausted for disobedience, he tried; but the liquid within—only water, cool and pure—savaged his parched throat until he gagged and had to spit it out again. Patiently, Vergere had used the bulb to moisten a scrap of rag, then gave it to him to suck on until his throat loosened up enough that he could swallow.

The vast desert inside his mouth absorbed the moisture instantly, and Vergere dampened the rag again. This went on for some considerable while.

“What is pain for?” she murmured after a time. “Do you ever think about that, Jacen Solo? What is its function? Many of our more devout masters believe that pain is the lash of the True Gods: that suffering is how the True Gods teach us to disdain comfort, our bodies, even life itself. For myself, I say that pain is itself a god: the taskmaster of life. Pain cracks the whip, and all that lives will move. The most basic instinct of life is to retreat from pain. To hide from it. If going here hurts, even a granite slug will go over there; to live is to be a slave to pain. To be ‘beyond pain’ is to be dead, yes?”

“Not for me,” Jacen answered dully, once his throat opened enough that he could speak. “No matter how dead you say I am, it still hurts.”

“Oh, well, yes. That the dead are beyond pain is only an article of faith, isn’t it? We should say, we hope that the dead are beyond pain—but there’s only one way to find out for sure.” She winked at him, smiling. “Do you think that pain might be the ruling principle of death, as well?”

“I don’t think anything. I just want it to stop.”

She turned away, making an odd snuffling sound; for half a moment Jacen wondered if his suffering might have finally touched her somehow—wondered if she might take pity on him . . .

But when she turned back, her eyes were alight with mockery, not compassion. “I am such a fool,” she chimed. “All this time, I had thought I was speaking to an adult. Ah, self-deception is the cruelest trick of all, isn’t it? I let myself believe that you had once been a true Jedi, when in truth you are only a hatchling, shivering in the nest, squalling because your mother hasn’t fluttered up to feed you.”

“You—you—” Jacen stammered. “How can you—after what you’ve done—”

“What I have done? Oh, no no no, little Solo child. This is about what you have done.”

“I haven’t done anything!”

Vergere settled back against the chamber’s wall a meter away. Slowly, she folded her back-bent knees beneath her, then laced her fingers together in front of her delicately whiskered mouth and stared at him over her knuckles.

After a long, long silence, during which I haven’t done anything! echoed in his mind until Jacen’s face burned, Vergere said, “Exactly.”

She leaned close, as though to share an embarrassing secret. “Is that not the infant’s tactic? To wail, and wail, and wail, to wriggle its fingers and kick its heels . . . hoping an adult will notice, and care for it?”

Jacen lowered his head, struggling against sudden hot tears. “What can I do?”

She sat back again and made more of that snuffling noise. “Certainly, among your options is continuing to hang in this room and suffer. And so long as you do that, do you know what will happen?”

Jacen gave her a bruised look. “What?”

“Nothing,” she said cheerfully. She spread her hands. “Oh, eventually, you’ll go mad, I suppose. If you’re lucky. Someday you may even die.” Her crest flattened back and became blasterbore gray. “Of old age.”

Jacen stared, openmouthed. He couldn’t face another hour in the Embrace of Pain—she was talking about years. About decades.

About the rest of his life.

He hugged his knees and buried his face against them, grinding his eye sockets against his kneecaps as though he could squeeze the horror out of his head. He remembered Uncle Luke in the doorway of the shed on Belkadan, remembered the sadness on his face as he cut through the Yuuzhan Vong warriors who had captured Jacen, remembered the swift sure pressure as Luke gouged the slave seed out of Jacen’s face with his cybernetic thumb.

He remembered that Uncle Luke wouldn’t be coming for him this time. Nobody would.

Because Jacen was dead.

“Is that why you keep coming here?” he muttered into his folded arms. “To gloat? To humiliate a defeated enemy?”

“Am I gloating? Are we enemies?” Vergere asked, sounding honestly puzzled. “Are you defeated?”

Her suddenly sincere tone caught him; he raised his head, and could find no mockery now in her eyes. “I don’t understand.”

“That, at least, is very clear,” she sighed. “I give you a gift, Jacen Solo. I free you from hope of rescue. Can you not see how I am trying to help you?”

“Help?” Jacen coughed a bitter chuckle. “You need to brush up your Basic, Vergere. In Basic, when we talk about the kind of things you’ve done to me, help isn’t the word we use.”

“No? Then perhaps you are correct: our difficulties may be linguistic.” Vergere sighed again, and settled even lower, folding her arms on the floor in front of her and arranging herself on top of them in a way more feline than avian. Secondary inner lids shrouded her eyes.

“When I was very young—younger than you, little Solo—I came upon a ringed moon shadowmoth at the end of its metamorphosis, still within its cocoon,” she said distantly, a little sadly. “I had already some touch with the Force; I could feel the shadowmoth’s pain, its panic, its claustrophobia, its hopelessly desperate struggle to free itself. It was as though this particular shadowmoth knew I was beside it, and screamed out to me for help. How could I refuse? Shadowmoth cocoons are polychained silicates—very, very tough—and shadowmoths are so delicate, so beautiful: gentle creatures whose only purpose is to sing to the night sky. So I gave it what I think you mean by help: I used a small utility cutter to slice the cocoon, to help the shadowmoth get out.”

“Oh, you didn’t, did you? Please say you didn’t.” Jacen let his eyes drift closed, sorry already, for how he knew this story would end.

He’d had a shadowmoth in his collection for a short time; he remembered watching the larva grow, feeling its happy satisfaction through his empathic talent as it fed on stripped insulation and crumbled duracrete; he remembered the young shadowmoth that had emerged, spreading its dusky, beautifully striated wings against the crystalline polymer of its viewcage; he remembered the shadowmoth’s thrilling whistle of moonsong, when he had released it from its viewcage and it had soared away under the mingled glows of Coruscant’s four moons.

He remembered the desperate panic that had beat in waves against him through the Force, the night the shadowmoth had fought free of its cocoon. He remembered his ache to help the helpless creature—and he remembered why he hadn’t.

“You can’t help a shadowmoth by cutting its cocoon,” he said. “It needs the effort; the struggle to break the cocoon forces ichor into its wing veins. If you cut the cocoon—”

“The shadowmoth will be crippled,” Vergere finished for him solemnly. “Yes. It was a tragic creature—never to fly, never to join its fellows in their nightdance under the moons. Even its wingflutes were stunted, and so it was as mute as it was planetbound. During that long summer, we sometimes heard moonsong through the window of my bedchamber, and from my shadowmoth I would feel always only sadness and bitter envy, that it could never soar beneath the stars, that its voice could never rise in song. I cared for it as best I could—but the life of a shadowmoth is short, you know; they spend years and years as larvae, storing strength for one single summer of dance and song. I robbed that shadowmoth; I stole its destiny—because I helped it.”

“That wasn’t helping,” Jacen said. “That’s not what help means, either.”

“No? I saw a creature in agony, crying out its terror, and I undertook to ease its pain, and assuage its fear. If that is not what you mean by help, then my command of Basic is worse than I believed.”

“You didn’t understand what was happening.”

Vergere shrugged. “Neither did the shadowmoth. But tell me this, Jacen Solo: if I had understood what was happening—if I had known what the larva was, and what it must do, and what it must suffer, to become the glorious creature that it could become—what should I have done that you would call, in your Basic, help?”

Jacen thought for some time before answering. His Force empathy had enabled him to understand the exotic creatures in his collection with extraordinary depth and clarity; that understanding had left him with a profound respect for the intrinsic processes of nature. “I suppose,” he said slowly, “the best help you could offer would be to keep the cocoon safe. Hawk-bats hunt shadowmoth larvae, and they especially like newly cocooned pupae: that’s the stage where they have the most stored fat. So I guess the best help you could offer would be to keep watch over the larva, to protect it from predators—and leave it alone to fight its own battle.”

“And, perhaps,” Vergere offered gently, “also to protect it from other well-intentioned folk—who might wish, in their ignorance, to ‘help’ it with their own utility cutters.”

“Yes . . .” Jacen said, then he caught his breath, staring at Vergere as though she had suddenly grown an extra head. “Hey . . .” Comprehension began to dawn. “Hey—”

“And also, perhaps,” Vergere went on, “you might stop by from time to time, to let the struggling, desperate, suffering creature know that it is not alone. That someone cares. That its pain is in the service of its destiny.”

Jacen could barely breathe, but somehow he forced out a whisper. “Yes . . .”

Vergere said gravely, “Then, Jacen Solo, our definitions of help are identical.”

Jacen shifted forward, coming up onto his knees. “We’re not really talking about shadowmoth larvae, are we?” he said, his heart suddenly pounding. “You’re talking about me.”

She rose, legs unfolding like gantry cranes beneath her. “About you?”

“About us.” His throat clenched with impossible hope. “You and me.”

“I must go, now; the Embrace has become impatient for your return.”

“Vergere, wait—!” he said, struggling to his feet, the Embrace’s branch-grips dangling from his wrists. “Wait, Vergere, come on, talk to me—and, and, and shadowmoths—” he stammered. “Shadowmoths are indigenous! They’re not a transported species—they’re native to Coruscant! How could you have found a shadowmoth larva? Unless, unless you—I mean, did you—are you—”

She put her hand between the lips of the mouthlike sensor receptacle beside the hatch sphincter, and the warted pucker of the hatch gaped wide.

“Everything I tell you is a lie,” she said, and stepped through.

The Embrace of Pain gathered him once more into the white.

Jacen Solo hangs in the white, thinking.

For an infinite instant, he is merely amazed that he can think; the white has scoured his consciousness for days, or weeks, or centuries, and he is astonished now to discover that he can not only think, but think clearly.

He spends a white eon marveling.

Then he goes to work on the lesson of pain.

This is it, he thinks. This is what Vergere was talking about. This is the help she gave me, that I didn’t know how to accept.

She has freed him from his own trap: the trap of childhood. The trap of waiting for someone else. Waiting for Dad, or Mother, Uncle Luke, Jaina, Zekk or Lowie or Tenel Ka or any of the others whom he could always count on to fly to his rescue.

He is not helpless. He is only alone.

It’s not the same thing.

He doesn’t have to simply hang here and suffer. He can do something.

Her shadowmoth tale may have been a lie, but within the lie was a truth he could not have comprehended without it. Was that what she had meant when she said, Everything I tell you is a lie?

Did it matter?

Pain is itself a god: the taskmaster of life. Pain cracks the whip, and all that lives will move. To live is to be a slave to pain.

He knows the truth of this, not only from his own life but from watching Dad and Anakin, after Chewie’s death. He watched pain crack its whip over his father, and watched Han run from that pain halfway across the galaxy. He watched Anakin turn hard, watched him drive himself like a loadlifter, always pushing himself to be stronger, faster, more effective, to do more—this was the only answer he had to the pain of having survived to watch his rescuer die.

Jacen always thought of Anakin as being a lot like Uncle Luke: his mechanical aptitude, his piloting and fighting skills, his stark warrior’s courage. He can see now that in one important way, Anakin was more like his father. His only answer to pain was to keep too busy to notice it.

Running from the taskmaster.

To live is to be a slave to pain.

But that is only half true; pain can also be a teacher. Jacen can remember hour after hour of dragging his aching muscles through one more repetition of his lightsaber training routines. He remembers practicing the more advanced stances, how much it hurt to work his body in ways he’d never worked it before, to lower his center of gravity, loosen his hips, train his legs to coil and spring like a sand panther’s. He remembered Uncle Luke saying, If it doesn’t hurt, you’re not doing it right. Even the stinger bolts of a practice remote—sure, his goal had been always to intercept or dodge the stingers, but the easiest way to avoid that pain would have been to quit training.

Sometimes pain is the only bridge to where you want to go.

And the worst pains are the ones you can’t run away from, anyway. He knows his mother’s tale so well that he has seen it in his dreams: standing on the bridge of the Death Star, forced to watch while the battle station’s main weapon destroyed her entire planet. He has felt her all-devouring horror, denial, and blistering helpless rage, and he has some clue how much of her relentless dedication to the peace of the galaxy is driven by the memory of those billions of lives wiped from existence before her eyes.

And Uncle Luke: if he hadn’t faced the pain of finding his foster parents brutally murdered by Imperial stormtroopers, he might have spent his whole life as an unhappy moisture farmer, deep in the Tatooine sand-wastes, dreaming of adventures he would never have—and the galaxy might groan under Imperial rule to this very day.

Pain can be power, too, Jacen realizes. Power to change things for the better. That’s how change happens: someone hurts, and sooner or later decides to do something about it.

Suffering is the fuel in the engine of civilization.

Now he begins to understand: because pain is a god—he has been in the grip of this cruel god ever since Anakin’s death. But it is also a teacher, and a bridge. It can be a slave master, and break you—and it can be the power that makes you unbreakable. It is all these things, and more.

At the same time.

What it is depends on who you are.

But who am I? he wonders. I’ve been running like Dad—like Anakin. I think they stopped, though; I think Dad was strong enough to turn back and face it, to use the pain to make himself stronger, like Mom and Uncle Luke. Anakin did, too, at the end. Am I that strong?

There’s only one way to find out.

For indefinite days, weeks, centuries, the white has been eating him.

Now, he begins to eat the white.

Executor Nom Anor toyed idly with a sacworm of dragweed broth while he waited for the shaper drone to finish its report. He sat human-style on a fleshy hump to one side of the unusually large villip to which the drone addressed its monotonous, singsong analysis of the Embrace chamber’s readings on the young Jedi, Jacen Solo.

Nom Anor had no need to pay attention. He knew already what the drone would say; he had composed the report himself. This particular Embrace chamber was equipped with an exceptionally sophisticated nerve-web of sensors, which could read the electrochemical output of Jacen Solo’s nerves down to each individual impulse and compare the pain they registered with its effect on his brain chemistry. The shaper drone mumbled on and on in its description of minute details of its data collection, and its deadly dull murmur was excruciating—

Perhaps that’s why we call them drones, Nom Anor thought with a humorless interior smile. He did not share this observation with the third occupant of the small, moist chamber. It wasn’t even a joke in any language but Basic, and it wasn’t that funny, anyway.

Instead he simply sat, sipping broth occasionally from the sacworm, watching the villip, waiting for Warmaster Tsavong Lah to lose his patience.

With vegetative accuracy, the villip conveyed the physical features of the warmaster: his tall narrow skull, bulging braincase, dangerously sharp teeth bristling within his lipless gash of a mouth, as well as the proud array of scars that defined his devotion to the True Way. Nom Anor reflected idly how well some of those intricately scarified designs would look on his own face. Not that he had any real interest in the True Way beyond its use as a political tool; from long experience, he knew that the appearance of piety was vastly more useful than its reality could ever be.

The villip also captured perfectly the frightening intensity of Tsavong Lah’s fanatic glare.

That gleam of faith’s power in his eye was the reflection of an inner conviction the like of which Nom Anor could only imagine: to know, beyond the possibility of doubt, that the True Gods stood at his shoulder, guiding his hand in Their service. To know that all truth, all justice, all right, shone from the True Gods like stellar wind, illuminating the universe.

The warmaster was a true believer.

To Nom Anor, faith was an extravagance. He knew too well how easily such true believers can be manipulated by those who believe in nothing but themselves.

This was, in fact, his specialty.

The moment he’d been waiting for came during the drone’s exhaustive point-by-point cross-species interpolation between Jacen Solo’s readings and those of three different control subjects, all Yuuzhan Vong: one warrior caste, one priest caste, and one shaper caste, each of whom had earlier undergone excruciation by the very same Embrace of Pain in which the young Jedi now hung. Anger gathered upon Tsavong Lah’s villip image like the ion peak that precedes a solar flare.

Finally, his patience broke. “Why is my time wasted with this babble?”

The shaper drone stiffened, glancing nervously at Nom Anor. “This data is extremely significant—”

“Not to me. Am I a shaper? I have no interest in raw data—tell me what it means!”

Nom Anor sat forward. “With the warmaster’s permission, I may perhaps be of some service here.”

The villip twisted fractionally to fix Nom Anor with the warmaster’s glare. “You had better,” he said. “My patience is limited—and you personally, Executor, have required too much of it already in recent days. You swing from a thin vine, Nom Anor, and it continues to fray.”

“All apologies to the warmaster,” Nom Anor said smoothly. He gestured dismissal to the drone, which made a hasty obeisance toward the villip, triggered the room’s hatch sphincter, and scuttled away. “I mean only to offer analysis; interpretation is my specialty.”

“Your specialty is propaganda and lies,” Tsavong Lah rasped.

As if there were a difference. Nom Anor shrugged and smiled amiably: gestures he had learned from his impersonations of the human species. He exchanged one quick glance with the other occcupant of the chamber—his partner in the Solo Project—then directed his gaze back to the villip. “The import of the Embrace chamber’s data is exactly this: Jacen Solo has become capable of not only accepting torment, but thriving on it. As the warmaster will recall, I predicted such a result. He has discovered resources within himself of the sort that we find only in our greatest warriors.”

“And?” The warmaster glared. “Make your point.”

“It will work,” Nom Anor said simply. “That is the point. The only point. Based on our current figures, Jacen Solo will inevitably—provided he lives—turn to the True Way with his whole heart.”

“This has been attempted before,” Tsavong Lah growled. “The Jeedai Wurth Skidder, and the Jeedai Tahiri on Yavin Four. The results were less than satisfactory.”

“Shapers,” Nom Anor snorted derisively.

“Mind your tongue, if you would keep it in your mouth. The shaper caste is holy unto Yun-Yuuzhan.”

“Of course, of course. No disrespect intended, naturally. I only mean to point out, with the warmaster’s permission, that the methods used in the Tahiri disaster were crude physical alterations—possibly heretical.” Nom Anor leaned on the word.

Tsavong Lah’s face darkened.

“They were performing sacrilegious research,” Nom Anor went on. “They tried to make her into a Yuuzhan Vong—as though a slave can be altered into one of the Chosen Race. Is this not blasphemy? The ensuing slaughter was far kinder than they deserved, as the warmaster will no doubt agree.”

“Not at all,” Tsavong Lah countered. “It was precisely what they deserved. Whatever the Gods decree is the definition of justice.”

“As you say,” Nom Anor conceded easily. “No such heresy will take place in the Solo Project. The process with Jacen Solo is precisely the opposite: he will remain fully human, yet acknowledge and proclaim the Truth. We will not have to alter or destroy him in any way. We merely demonstrate; he will do the rest himself.”

The warmaster’s image chilled over with calculation. “You still have not made clear why I should desire this. Everything you have told me implies that he would make an even greater sacrifice than I had dreamed. Explain why I should await this promised conversion. Should he die in the process, I will have broken an oath to the True Gods: cheated them of their due sacrifice. The True Gods are unforgiving to oathbreakers, Nom Anor.”

You couldn’t prove it by me, Nom Anor thought smugly, but he spoke with utmost respect. “The symbolic importance of Jacen Solo cannot be overestimated, Warmaster. First, he is Jedi—and the Jedi stand in place of gods in the New Republic. They are looked to as surrogate parents, gifted with vast abilities that legend further magnifies beyond all reason; their purpose is to fight and die for the New Republic’s debased, infidel perversions of truth and justice. Jacen Solo is already a legendary hero. His exploits, even as a child and a youth, are known throughout the galaxy; together with those of his sister—his twin sister—they rival even those of Yun-Harla and Yun-Yammka—”

“You utter such blasphemies too easily,” Tsavong Lah grated.

“Do I?” Nom Anor smiled. “And yet the True Gods do not see fit to strike me down; perhaps what I say is not blasphemy at all—as you shall see.”

The warmaster only glared at him stonily.

“Jacen Solo is also the eldest son of the galaxy’s leading clan. His mother was, for a time, the New Republic’s Supreme Overlord—”

“For a time? How is this possible? Why would her successor let her live?”

“Does the warmaster truly wish a disquisition upon the New Republic’s perverse system of government? It has to do with a bizarre concept called democracy, in which ruling power is given to whomever is most skillful at directing the herd instincts of the largest masses of their most ignorant citizens—”

“Their politics are your concern,” Tsavong Lah growled. “Their fighting strength is mine.”

“The two are, in this case, more closely related than the warmaster might suspect. For a quarter of a standard century, the Solo family has dominated galactic affairs of all kinds. Even the warmaster of the Jedi is none other than Jacen Solo’s uncle. This uncle, Luke Skywalker, is popularly considered to have singlehandedly created the New Republic by defeating an older, much more rational government called the Empire. And, I might add, it is fortunate for us that he did; the Empire was vastly more organized, powerful, and potently militaristic. Lacking the internal divisions we have exploited so successfully in the New Republic, the Empire could have crushed our people utterly in their first encounter.”

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2 of 2 people found the following review helpful.
One of the best Star Wars novels ever written
By CConn
Being a very loyal fan of the Star Wars universe, I, of course, purchased Traitor � the thirteenth book in the New Jedi Order series � the very first day, and digested the book promptly thereafter. The first thought that entered my mind after setting the book down for the final time, was simply �This is one of the best Science Fiction novels I have every read!� That opinion has not changed since.

Traitor is unlike any Star Wars novel ever written. Instead of making the book into the usual Sci-Fi Action story, Mathew Stover did something different. Instead of making his novel a science fiction story, he made his novel science fiction literature. Stover trades blaster battles, and star fighter scrimmages, for the deeper and more meaningful moral riddles and emotional nuances that make a book great.

The novel centers on Jacen Solo, teenage son of the middle-aged Han Solo and Leia Organa, whom had been missing for the last three NJO novels. And through the book we journey with Jacen through his explorations of philosophy. Where, in previous novels, Jacen�s philological questions came off as annoying, in Traitor Stover masterfully transforms that adolescent whining into sophisticated reflection.

One oddity I feel I should mention is the surprisingly small cast of characters in this book. Whereas most Star Wars novels have 15-20 characters, Traitor has barely four. This does not damage the story conversely...it probably improves it. Instead of having to follow the multiple adventures of the normal Star Wars crew, in Traitor you only have to pay attention to one: Jacen�s.
This factor greatly enhances the reader�s understanding of Jacen. It�s 300 pages of one man, and his struggle to free himself from the clutches of the Yuuzhan Vong.

0 of 0 people found the following review helpful.
The Jedi are into Moritist psychology
By R. L. MILLER
This book reads like a "Twilight Zone" episode--very small cast of characters (only 6 people) and a psychological feel to it. Jacen Solo shares the limelight with only one other person--mystic Vergere in her first starring role. This is quite a departure from other NJO novels, which at this point in the timeline revolve around everyone else but Jacen--he's MIA. This story is not for the faint at heart--much of the early chapters center on the pain suffered by Jacen while he's serving as an experimental animal in the custody of Vergere, until he learns to master that pain. There's a bit of explicit carnage in the book as well. The whole Y-V cycle has a dark tone to it, but this story well surpasses even that. Jacen also learns from Vergere that there's more than one perspective about the Force--his own is a bit simplistic and dogmatic. Which makes its own kind of sense--a new generation of Jedi aren't likely to have the same old philosophies as taught by Yoda and Kenobi. But one of the basic tenets of Japanese Moritist psychology surfaces here when Jacen comments at one point that the greatest weakness of the Yuuzhan Vong is their insistence on making over the Galaxy into what they think it should be as opposed to coming to terms with it as it actually is. Anybody who thinks this story is going to be wall-to-wall X-wing dogfights and turbolaser volleys is advised to skip this one. If Matthew Stover wasn't a psych major in college, it was the field of study next in line.

11 of 12 people found the following review helpful.
A very emotional and very different Star Wars novel
By Jayson Olson
Jacen Solo, brother to twin Jaina and younger Anakin.....long thought dead to the New Republic and an underestimated Jedi makes a strong comeback in this 13th installment of the New Jedi Order series.
However, this book is slightly different from the 12 that preceded it. I'd say about 85% of this novel takes a direct focus on Jacen and the enigmatic Vergere. It seems that the Vong have had special plans for Jacen all along, not only as a twin to Jaina, but to help capture her as well. Nom Anor and Vergere concoct a plan to turn Jacen...turn him to the Vong cause.
Everything Jacen has ever learned as a Jedi is now put to question as Vergere takes the roll of teacher. She challenges Jacen to rethink his role in the universe and his destiny....a destiny without the use or link of the Force. Jacen soon discovers that there is more to the force than just the light and dark sides. He begins to retrain himself, not necessarily as a Jedi, but something else...something bigger than the Force as he learned it from Master Skywalker. Jacen's abilities and sensitivity to telepathic and empathetic thoughts soon exceed even Nom Anor's and Verge's wildest dreams. Jacen becomes something new, and Nom Anor revels in the fact that Jaina Solo will soon be his with the aide of his newest Vong prodigy.
But nothing ever ends up the way things are planned in a good Star Wars novel. Jedi Ganner Rhysode has heard the rumors....Rumors that Jacen lives and has returned to the core worlds. His mission is his own, rescue Jacen and bring hope to the losing New Republic and crush the Vong spirits. But Ganner stumbles upon a man once known as Jacen, but someone much different and much more powerful. Soon, Ganner must make a choice and perhaps place his trust in a much darker and powerful Jacen.
I can't say enough good things about this novel. Though there is plenty of action and background information given on the Vong, the trial and tribulations of Jacen under the thumb of Nom Anor and Vergere are very powerful for the reader. While there is plenty of action for the reader, author Matthew Stover really gets the reader sucked into the psyche of Jacen. Soon you really are emotionally attached to Jacen's character and feel his confusion and doubt of everything he though he believed. The role of Vergere in this book was pivotal, and even though the reader may find her musings and teaching maddening at times (she speaks a lot in riddles and never gives a straight answer), but does a wonderful job in actually making the reader question everything we have read about the Jedi order and the Force. Is it possible that there in more to the Force than just the light and dark sides? This book will surely make you ponder. Excellent job.

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Tensors, Differential Forms, and Variational Principles

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Possessed: The Rise and Fall of Prince, by Alex Hahn

Possessed: The Rise and Fall of Prince is the definitive biography of one of the most talented and enigmatic musicians of our time, a figure who has seized international attention for decades and will continue to do so, both for his artistic talent and his bizarre behavior. While a handful of quasi-biographical efforts have been undertaken on Prince, Possessed is the first full-length, full-scale biographical treatment. Drawing on sources unavailable to other authors, it is the first book to fully analyze the creative legacy and unveil the psychology of this tortured, messianic artist whose ceaseless reinventions have at times rendered him a profoundly original artist and at other threatened to make a mockery of himself and his music. Blending biographical storytelling, pop cultural history, and music scholarship, the book will appeal to a broad general audience as well as to music fans.

Author Alex Hahn, a journalist who has written for The Boston Globe and The San Francisco Chronicle, taps key sources - such as friends, employees, and industry insiders - to place readers at the scene of some of the artist's most important recording and song writing sessions; relate how his compulsive sexual behavior led to revolving-door romances with Kim Basinger, Carmen Elektra, Vanity, and others; reveal that Prince on many occasions plagiarized band members' musical ideas; and explain why he has become such a paranoid, vindictive, and isolated figure. The book also draws upon the hundreds of interviews given by Prince over his career.

The book contain 30 high-quality photographs of Prince and his associates from all points of his career.

Possessed also contains the most detailed appendix of song and recording session information ever assembled for a pop musician, including information about Prince's vast canon of unreleased music and the hundreds of songs he has written for other pop artis

  • Sales Rank: #1573152 in Books
  • Brand: Brand: Billboard Books
  • Published on: 2004-04-01
  • Released on: 2004-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .73" h x 6.06" w x 8.96" l,
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
The alien androgyny, the spiritual eroticism, the royal conceit: the outsized persona of the artist currently known as Prince fascinates on numerous levels. In this detailed biography by journalist and attorney Hahn, anecdotes of a personal nature mix with close readings of Prince's musical output, producing few big secrets but plenty of insight. Prince's early days are recounted as a frenzy of musical education, with influences ranging from the funky dexterity of Sly Stone, to the tight perfectionism of James Brown, to the spiritual yearning of Stevie Wonder. (Hahn also names a less obvious influence in Joni Mitchell, whose lyrics Prince apparently purloined sometimes whole cloth.) The young Prince also absorbs the mechanics of the studio like a sponge. When the child prodigy meets with early success, signing to Warner Brothers at age 19, he blossoms into the personality of flamboyant and controlling self-absorption that fans have now watched mutate for over two decades. Constructed from interviews with producers, sound engineers, journalists and publicists, though not as frequently with Prince's inner circle, the book portrays Prince as a kind of outsider artist, eccentric and self-centered to the extreme, rarely leaving the enchanted, Minneapolis garden of his childhood, where he has managed to build himself into a living, protean god. This is a truly American story of cranky self-invention. B&w photos.
Copyright 2003 Reed Business Information, Inc.

From Booklist
In the late 1970s, Minnesotan Prince Rogers Nelson began releasing funk-fortified albums on which he was the only musician and singer. First as an underground phenomenon, then as a much-hyped purveyor of a new kind of excruciatingly danceable, sexy music, he became a pop phenomenon. He shed two-thirds of his name, formed a series of bands, made some movies, and eventually dropped his name entirely, preferring to identify himself with an unpronounceable symbol. Then he feuded with his record company, inaugurating a series of negative career moves that rivaled Mike Tyson's in self-destructiveness and rendered him little more than fodder for late-night TV wisecracks. Hahn covers this ascent and descent in gritty detail, thanks to sources that include many Prince collaborators, though not the incredibly funky Apollonia, Morris Day, or George Clinton (whose career Prince restarted in the 1990s). Considering the longevity of rock careers these days, Prince might rebound yet. Still, he has left his mark on rock style as well as music, and Hahn has given us the arc of that mark. Mike Tribby
Copyright � American Library Association. All rights reserved

About the Author
Alex Hahn, a resident of Boston, has written for the Boston Globe and the San Francisco Chronicle. Also an attorney, Hahn defended Uptown, the leading Prince fanzine, in a suit brought by the artist himself.

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8 of 9 people found the following review helpful.
Leaves You Cold And Wanting More
By VW
A meticulously engaging biography of Prince, "Possessed" pulls the reader in and won't let go. This is the portrait of a genius who, through his own machinations, became something of a monster. The book tells the story of a Prince who is self-destructive, narcissistic, insecure and cloistered; a prodigy who changed music while managing to alienate virtually everyone in his life.
By 1982-83, Prince had forced the world to sit up and take notice. Having skillfully blended elements of numerous musical genres to create a uniquely eclectic signature, he was determined to avoid being pigeonholed by a limited artistic identity. This determination, combined with his rising popularity and enigmatic, iconoclastic image began to raze traditional barriers. All of this culminated in and peaked with "Purple Rain"- a body of work that enjoyed universal appeal and propelled him to the top of the pop/rock world. But, ironically, he rebelled (in a sense) against his own success, deciding to follow "Purple Rain"with "Around The World In A Day", a work designed to remind everyone that commercial success could and would be subordinate to the importance of innovative artistry. These reinventions continued, accompanied by critical praise and declining sales, and in the midst of a musical landscape that was ever-changing. In this sense, at least from a commercial perspective, Prince became the victim of a new music world he'd been instrumental in creating.
Published in 2003, this bio ends in 2002. The story of Prince between 1989 and that year is not a pretty one, giving chilling accounts of his treatment others, from subordinates and band members to the Warner Brothers executives who'd helped make him a star. One consistent and recurring theme is his inability to treat those around him with empathy- sometimes common courtesy. By the mid 90's, he'd alienated most everyone and, as he became ever more insular, his creativity suffered along with his image.
But it seems that none of this mattered much to Prince. From the beginning, it seems that total control was his ultimate aim and, in the end, that's exactly what he got. The genius and success of his first ten years as a recording artist provided a lifelong security blanket, one that apparently made him bulletproof regardless of his actions.
Though "Scathing" (as one critic described this book) "Possessed" is written with no obvious agenda. One would be a fool to call it complimentary to Prince on balance, but it does cover his charitable deeds and contributions, his struggles to open up, and flashes of a guy who could be nice. If you don't find Prince Rogers Nelson an interesting character, this biography is certain to change your mind. If you do, then this work should be on your must-read list, because you ain't seen nothing yet.

11 of 13 people found the following review helpful.
Rave Un2 the "Enigma" Fantastic...
By Thomas Moody
The epitomy of the classic "rock star", Prince has seemingly taken an inspired career and turned it into a sort of ironic mystery...author Alex Hahn presents this theory using an amazing access to personal subjects and un-released music to destroy the mystique and bring Prince into the general public's eye for all to scrutinize. What we find is a sort of mini-demagogue who remains brilliant musically, but suffers from many years of petulant behavior to systematically reduce his faithful following and, unfortunately, become nothing more than a cult figure.
Back in 1985, however, the thought of Prince being anything but a major musical influence and icon would be inconceivable...this was following the final push to superstardom that "Purple Rain", the record and movie, provided and the country/music industry was agog at what the next Prince project might be. Of course, the underwhelming and self-aggrandizing "Around the World in a Day" was the next release and this started the downward spiral that continues to this day. Author Hahn attempts to analyze this with "Possessed" and he brings it off with an amazing balance...remaining true to his literary responsibilites, he paints a realistic and forthcoming picture of the tortured musician. At once brilliant in the conceiving and performing of cutting edge music while at the same time displaying a curious bewilderment at the ever changing face of popular music, Prince remains the mystery that he so fervently relishes and in the process has virtually destroyed any fan base that could resurrect his career.
A stunningly comprehensive biography, Hahn shows the entire Prince career from his childhood up to and including the 2001 release of "The Rainbow Children". Riding the emotional and psychological roller-coaster that was Prince, we see the meteoric rise and subsequent demise of this influential artist and also the human waste he laid as a side product...his (Prince's) treatment of "friends and associates" is disturbing and speakes to (in my opinion) a lingering psychosis. Conversely, Hahn, again using amazing access to unreleased recorded material, shows Prince to be prolific and brilliant in his conception of and performance of many major turns in his musicianship. Indeed, the few unreleased tracks that I have personally heard would make for a great album and it's hard to conceive that this level of great music is still "in the vault".
Hahn covers all the important episodes in this star-crossed career...even sharing some new information that former "hard-core" fans never knew...the homosexual relationship of Wendy Melvoin and Lisa Coleman was new to me and I was a fan at the inception of the "Revolution"...the interaction of fellow musicians and subsequent denial of artistic credit (i.e. Rosie Gaines and Melvoin) is part of this afore mentioned disturbing psychotic behavior and was also a surprise to me. What astounded me the most, however, was the continued denial on the part of Prince towards the burgeoning rate of change in the popular music world and his denail of this fact. He continued to think that he was one record away from the "Purple Rain" type of mega-stardom and Hahn presents this part of the story in sober terms...I certainly felt the frustration that most fans assuredly went through and this feeling is the most prevelant throughout this work. Time and again, a new idea or initiative was started by Prince, only to be reduced or disintegrated by the ever-present "haughtiness" that only served to limit his career growth and is something that he continues to pay for in his musical standing today.
Hahn does serve the music fan well, however, with his many reviews of some of Prince's classic music...he raves about "Controversy", "1999", "Sign O the Times" and, of course "Purple Rain". Some of the later works ("Graffiti Bridge", "Lovesexy" and "Emancipation") that I thought were pure genius were sort of described as episodic and partly rationalized into the spiraling downward turn in Prince's career and music...unfairly, I felt, but an opinion that I respected given the depth of Hahn's research. Closing out the book is an impressive discography of all Prince's works and his part assisitance in others (Bangles, Stevie Nicks, Sheena Easton...etc).
Whether you love him or hate him...or even if you're just a popular music fan in general, you'd do well to read about the rise and fall of Prince in this book. A more interesting story you won't find (yes even given the latest Michael Jackson fiascos) and a story that has you at once criticising and conversely hoping for a more fortunate outcome, Alex Hahn is to be commended for a comprehensive, scholarly and entertaining look at one of Rock's remianing mysteries. I recommend this book very highly.

2 of 2 people found the following review helpful.
Whoa!
By evie
Insighful with too much TMI. wish I did not know what I now think I know. It takes away the mystery of the man...the music...the sound. But I added to my collection...easy read

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Senin, 13 Agustus 2012

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Body Mind Mastery: Creating Success in Sport and Life

  • Sales Rank: #2624945 in Books
  • Binding: Paperback

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Rabu, 08 Agustus 2012

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American Politicians: Photographs from 1843 to 1993, by Susan Kismaric

Book by Kismaric, Susan

  • Sales Rank: #4862714 in Books
  • Brand: Brand: Museum of Modern Art
  • Published on: 1994-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 9.00" w x .75" l,
  • Binding: Hardcover
  • 208 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
This catalogue of 150 photos drawn from an exhibition at Manhattan's Museum of Modern Art is at once a retrospective of America's cultural ambiguities, a pageant of visual technology, a paean to antiestablishment photo-artists like Robert Frank and Gary Winogrand and a meticulous register of source data primarily of interest to specialists. Kismaric, curator of MoMA's department of photography, traces the photography of American politics from early devotional portraits of John Quincy Adams, Lincoln, et al., through the interplay of political and photojournalistic aims that came with faster film, handier cameras and personalities like Teddy Roosevelt, FDR and John F. Kennedy. This panoply has now dwindled, the author finds, to a dull, security-minded photo policy on the part of most modern politicians concerned with controlling their images. Some of the photos included here of Lincoln and others appear to have been enhanced technically, with telling effect.

Copyright 1994 Cahners Business Information, Inc.

From Library Journal
In this book, published in conjunction with a Museum of Modern Art (MOMA) exhibition of the same title, Kismaric has selected 150 duotone photographs that build a chronology of American photography of politicians, from the carefully staged portraits of the 19th century to more contemporary images, generated by motor-driven 35 mm cameras that can grab odd moments of face and form. Kismaric is curator of MOMA's Department of Photography, and true to her museum's tradition she offers a crisp and informative text that follows the evolution of the depiction of American politicians in black and white. A surprising range of emotions are shown in these politicians; early shots carry the visual message of the absurd, while the much-discussed "photo opportunity" is rarely seen later in this collection. Recommended for academic, museum, and public libraries.
David Bryant, New Canaan Lib., Conn.
Copyright 1994 Reed Business Information, Inc.

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2 of 2 people found the following review helpful.
A Great Gift for Election Day!
By Michael Brad Richman
"American Politicians" is a visual exploration of one of our country's defining insitutions. Curated as a traveling exhibition and accompanying book by Susan Kismaric of the Museum of Modern Art in New York, I had the good fortune to see this show first hand when it made a stop at Washington's Corcoran Gallery of Art.
Several of the seminal images of American Politics included in this book are surely tattooed to your mind's eye -- Truman playing piano with Lauren Bacall sensually sitting atop it; the classic "Dewey Defeats Truman" shot; the assasination of RFK; LBJ flicking-off someone as he boards an airplane, much to JFK's chagrin; and, "The Loneliest Job in the World," George Tames' famous image of Kennedy standing over his desk, head hung low, during the Cuban Missile Crisis. However, it's the lesser known works that are truly fascinating. The Brown Brothers photograph of Theodore Roosevelt, which graces this book's cover, at first glance seems like a perfectly choreographed moment, complete with a background-filling American flag and Teddy in one his signature, triumphant gestures. But look closely and you'll spy a pair of crutches in the picture's center. That's right, FDR wasn't the only Roosevelt who had difficulty walikng under his own power. It's hard to believe with today's media feeding frenzies that photographer's used to respect political leader's private lives and personal shortcomings; the fact is this image probably never ran in the newspaper.
These are the types of subtle images and contexts that are dealt with in "American Politicians." Robert Frank's "Convention Hall-Chicago" (that guy with the cigar and sun glasses really runs the country, doesn't he?), Lee Friedlander's abstract self-portraits in storefront windows (which happen to have portraits of the candidates in them), and Garry Winogrand's sweeping shots that show that he is interested as much in the crowd as the candidate. Some of the photographs are not subtle at all, but very funny because of their political awkwardness -- LBJ showing-off his gall bladder scar, Nixon looking at his watch while shaking hands with the crowd, and Dukakis driving the infamous tank.
The book concludes with some very revealing portraits, of Senators Byrd, Schroeder and Thurmond by Judith Joy Ross, that summarize this book perfectly. The Senators present themselves the way they want to be seen, and the way they've been taught and coached to do all their lives. Yet they are human and vulnerable, despite their power and prestige, just like all of us little people.

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